Bhavgeet: There is a certain MD called Shrinivas Khale, who is famous for his complex but melodius tunes, Lets start with couple of his compositions on Yaman Bhavgeets.
The all college function, all small scale mehfil song of "Arun Date" and "Sudha Malhotra". Anuradha paudhval too has sung with Arun bhaiya for another version.
The song of course is great, but has become vanilla due to over-usage.
The second antara leaves Yaman and joins back at the end. Another interesting thing to note is Sudha malhotra's correct pronunciation of the unique marathi letter "la" which we have discussed sometime back.
Arun Bhaiyya Date would remind you of Talat. I couldn't find any of the two original songs.
"Shukrataara mandwara"
This is again a master piece from Khale sahab. There are many versions of this song on youtube. right from shankar mahadevan, Rahul Deshpande and even Rahul Saxena of indian Idol fame have sung it. But the original version was by the one and only Dr. VasantRao Deshpande.
"Baglyanchi Maal phule"
Coming back to Lata-Hridaynath. This is a heavy song. Anybody who likes any form of music must listen to this song. You may or may not like it but you will surely find it interesting. This song had been a nightmare for both accompanists and singers in our short mehfils. There are 3 different taals used in this song which keep on changing at will. and the raaga although has a "Yaman Effect" keeps on changing as well.
the challenge for singer is in bringing the content, feeling and effortlessness if we take the basic notes for granted, for the players it is in controlling the singer in terms of taal and raag.
Check it out yourself. The song starts with "jhaptaal", suddenly changes to western 4 beats and then in antara it is pure ghazal dadra.
"Savar re savar re"
The all college function, all small scale mehfil song of "Arun Date" and "Sudha Malhotra". Anuradha paudhval too has sung with Arun bhaiya for another version.
The song of course is great, but has become vanilla due to over-usage.
The second antara leaves Yaman and joins back at the end. Another interesting thing to note is Sudha malhotra's correct pronunciation of the unique marathi letter "la" which we have discussed sometime back.
Arun Bhaiyya Date would remind you of Talat. I couldn't find any of the two original songs.
"Shukrataara mandwara"
This is again a master piece from Khale sahab. There are many versions of this song on youtube. right from shankar mahadevan, Rahul Deshpande and even Rahul Saxena of indian Idol fame have sung it. But the original version was by the one and only Dr. VasantRao Deshpande.
"Baglyanchi Maal phule"
Coming back to Lata-Hridaynath. This is a heavy song. Anybody who likes any form of music must listen to this song. You may or may not like it but you will surely find it interesting. This song had been a nightmare for both accompanists and singers in our short mehfils. There are 3 different taals used in this song which keep on changing at will. and the raaga although has a "Yaman Effect" keeps on changing as well.
the challenge for singer is in bringing the content, feeling and effortlessness if we take the basic notes for granted, for the players it is in controlling the singer in terms of taal and raag.
Check it out yourself. The song starts with "jhaptaal", suddenly changes to western 4 beats and then in antara it is pure ghazal dadra.
"Savar re savar re"
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